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How to Turn a Story Idea Into a Novel: The Ultimate Step-by-Step Roadmap

3 days ago
11 min read
How to Turn a Story Idea Into a Novel: The Ultimate Step-by-Step Roadmap

Every novel ever written has sprung from an idea: one dream that appeared on a random Tuesday, one overheard snatch of conversation in a coffee shop, or one stubborn "What If" that plagues your every waking thought. An exhilarating, electrifying process! Yet, as every successful novelist will tell you, formulating that brilliant, earth-shattering concept is less than ten percent of the game.


The lion’s share of the process involves laboriously weaving that idea into a novel of words that captivate, entertain, and excite readers from the moment they finish their first cup of coffee until the moment they put your book down with great reluctance, only to immediately pre-order your next one.


Translating one abstract concept into an 80,000-word masterpiece is not an easy task—not one you're likely to accomplish in an afternoon (or even a week, depending on the measure of your initial leap of faith). Doing this requires a solid foundation, well-developed characters, multiple draft revisions, and many other things. As you stare at the empty space of the page that stares back at you—and possibly a little bit of the black void that is to be filled with everything you are trying to conquer—remember, you are not alone, and help is on the way!

Inside this guide, you will find a step-by-step approach to bringing that amazing story concept to the literary expression.


Have a dazzling writing idea but not the time or skill to bring it to life? Give up the frustrations and let our expert fiction ghostwriters craft your work to completion! Visit Rolling Authors or [WhatsApp us to share details of your ghostwriting needs]


Table of Content


Phase 1: Realize & Relish the Concept

The first obstacle to overcome requires understanding whether or not the concept holds up as well as one might believe. A beginner's fallacy is taking their brand-new writing idea and plunging into chapter one without allowing themselves the time to thoroughly test the waters. They might instead find themselves collapsed over their keyboard at the halfway mark, gaping at the abyss.


1. Capture that spark and play "What If". 

The initial creative leap is a fleeting aspect of a novel and must be captured before it has a chance to drift away from you! However, after this one spark of inspiration is scribbled down (and hopefully not lost among the multitude of scribbles otherwise already occupying the page or notepad), you still have a little more work to do. Expand upon that idea!


When developing a plot for any creative work, especially a novel, you can use "What If." Try to create variation. If an idea came to you as, "A private detective discovers a body... But that private detective also happens to be the murderer." What if the "dead" private investigator isn't really dead? The key is to come up with a fresh way of looking at the subject matter.


2. Refine to a logline and synopsis. 

An excellent novel idea will have a basic setup that can be summed up in a single sentence. If it cannot, then you have a concept which needs further development. In a lot of instances, a suitable setup can be achieved by this formula: [Protagonist] works toward [Goal/Plot Task] that they must complete so as to reach [Stakes/Conflict] despite [Antagonist/Obstacle].


Once you have this, try writing a paragraph which sums up the whole story from start to finish. That's right, that includes the ending! Once you have the synopsis written, you should be more than ready for Phase 2.


3. Pressure-test the concept for the entire novel! 

Short stories have nothing on full-length novels. As you're fleshing out the idea, you'll need to answer some difficult questions:

  • Are there enough external and internal conflicts to fill 300+ pages?

  • What is the unique hook that will make this story stand out from the thousands of others on bookstore shelves?

  • Can I personally invest in this concept for the 6–12 months it will take to write the first draft?

Phase 2: Building the Foundation (Characters and World)

Readers may come for the plot, but they'll stay for the characters. If your characters are shallow, cardboard cutouts without a soul, no amount of intricate plotting will save your novel. This section is all about bringing the story's cast and setting to life.


1. Create psychological, multi-dimensional characters. 

A character is defined by more than just their appearance. Before you begin writing, develop a psychological profile for each character. To create a compelling protagonist, you'll want to establish three components:

  • The Ghost (The Wound): In their past, what event caused trauma that left a lasting impact on the character's psyche?

  • The Lie: As a result of the Ghost, what faulty belief does the character hold about themselves or the world around them?

  • The Want vs. The Need: What does the character want? What does the character need? The “want” is the outer conflict, and the “need” is the inner conflict. The story is about the character learning the difference between the two and finding a new truth within themselves.


Don't forget the secondary characters and the antagonist. Villains, especially, should be three-dimensional. The best villains are the ones who are the "hero" of their own story, making them far more compelling than your standard-issue evil-doer.


2. Establish the setting and world-building rules. 

Unless you're writing literary fiction, the setting or world in which the story takes place will be integral to the narrative.


  • For speculative fiction (sci-fi, fantasy, paranormal, etc.), there will be rules to establish so that the world-building has structure and cohesion.

  • For contemporary fiction, the goal is to make the setting as tangible and real as possible. If the story takes place in a specific location, describe it in such a way that the reader can visualize it.


Pro Tip: Don't try to do this on your own! There are many comprehensive, free guides to building character sheets and world-building. If you're a visual learner like me, you might want to try this comprehensive guide to character development that will help flesh out your protagonist's backstory and personality traits.


Phase 3: Structuring the Plot (From Idea to Outline)

This is where the rubber meets the road. An outline is one of the best tools a writer can have at their disposal. It’s the foundation upon which the entire novel will be built. It helps prevent writer's block, gives pace to the writing process, and makes sure that the story has a beginning, middle, and end.


1. Determine your plotting style: Before choosing a method, determine what kind of writer you are. Plotters (also called Architects) need a detailed outline before they can write a single word. Pantsers (or Gardeners) fly by the seat of their pants and make things up as they go along. Planters (also called Hybrid writers) fall somewhere in between. If you're a neophyte writer, you'll want to try outlining as a plotter.


2. Choose a storytelling framework: You don't have to invent a new wheel; there are tried and tested story frameworks that have been around for years.


  • The Three-Act Structure: The traditional structure of Setup (Act I), Confrontation (Act II), and Resolution (Act III).

  • Save the Cat! Writes a Novel: A detailed breakdown of a 15-beat sheet created by Jessica Brody. This is one of the most comprehensive and useful outlining tools we've ever used.

  • The Hero's Journey: The journey of the archetypal hero on a quest to retrieve an "elixir" and return home. This one works well for fantasy, sci-fi, and adventure novels.


These are just a few examples, but there are many more!


3. Create a scene-by-scene outline: Once you've picked the framework that works for you, break it down into distinct chapters and individual scenes. For each individual scene, identify these three elements:

  • The Goal: What is it that your POV character wants to achieve in that scene?

  • The Conflict: What stands in their way? (This could be an antagonist, an obstacle, or, as we will see, a flaw in your POV character.)

  • The Disaster/Result: How does the scene conclude? (Every scene must have an awful, "Yes, but...", or "No, and furthermore..." ending to drive it forward to the next one.)


Phase 4: The Drafting Stage (Getting Words on the Page)

You have just moved from the drawing board of the architect to the building site of the builder. The first draft is the longest and hardest stage: bringing a concept to a finished book. Your one goal as you sit down to write your first draft is that it must exist, however imperfect initially.


1. Establishing a realistic and sustainable writing schedule inspiration is a fine thing, but consistency will win any race. Try to carve out time when you can and make it consistent every single day, whether or not you feel like writing. If you write 500 words a day, that's a first draft of 60,000 words in just four months. Gradually increase that to 1,000 words a day, and you're looking at two months. Decide how many words you will write each day and keep this writing time sacrosanct.


2. Silence your inner critic. One of the main things that will prevent you from completing a first draft is the belief that it needs to be perfect right from the get-go. When drafting, simply don't edit. Spending an hour trying to get the opening paragraph of the first chapter just right would exhaust you so much that you wouldn't get to chapter two.


If, in chapter four, you notice a huge plot hole, rather than stopping the manuscript to fill in a missing piece, just make a bracketed note somewhere (like: [FIX PLOT HOLE: How did they get out of the vault?]) and move on. You can always fix a bad page, but you can't fix a blank one. You need to allow yourself to write a bad first draft. As the venerable author Anne Lamott put it, “There is only one way to ‘clean up’ a terrible draft, and that is by writing the ‘shitty first draft’."


Resource: To help you keep focused during long, protracted writing sessions and track your word count for each day, we can recommend Scrivener. It's the best word processing software you can get for long documents; countless professional writers swear by it. https://www.scrivener.com/


Phase 5: The Edit and Polish (The Refining Stage)

All writing is rewriting. A first draft is you talking your ideas through with yourself; an edit is communicating the novel to others. Once your draft is complete, try to set it aside for at least two to four weeks; you must achieve a measure of critical distance from your writing before you can begin to analyze it. Once this time has passed, you can then start with the multi-layered revisions that are needed.


1. Developmental editing (the big picture edits): The first editing stage requires you to step back and read the manuscript from top to bottom; don't concern yourself at this point with grammar and spelling—that will come later. Don't try to fix anything, just analyze.

  • Does the plot develop in a logical and consistent way throughout the text?

  • Is the structure correct?

  • Are there any chapters where there is too much padding?

  • Are there any chapters that seem too short?

  • Is the tone consistent?

  • Have I followed through on the promise I made at the start of the novel?


You are going to find there are usually a number of problems at this stage, which might well mean throwing 20,000 words out, merging two characters into one, or rewriting the conclusion altogether. Try not to fall too much in love with any part of the story. “Kill your darlings,” as Stephen King famously said!


2. Line editing (the details): Once I feel reasonably happy with the developmental edits, have sorted out most of the plot holes, and the characters are well developed, I start going through the book word by word and refining. These are called line edits. I want to ensure every description is as evocative as it can possibly be; dialogue should reflect the speaker; I should try to avoid filter words (like "saw," "heard," "felt") wherever I can by using more dynamic phrasing and describing exactly what is happening. For example, using: "She didn't just see the man standing in the doorway; she heard his boots scuff on the wooden floor and smelled the stale tobacco on his clothes. Her breath caught in her throat." rather than: "She saw the man. He stood in the doorway. The smell of old tobacco hung in the air. Her breath hitched."


This stage can also incorporate a change from describing emotional states to depicting them through action.


3. Proofreading and beta readers: The final edits involve picking up any residual errors, whatever they may be: grammar, spelling, and punctuation. It's a good idea to put your draft aside after doing your line edits. Again, you have to put enough distance between you and the text to be able to read it objectively. Once you have done that, read it through for any errors one last time. Finally, before finishing the book, have friends who love reading your writing genre and ask them for their opinion: what they enjoyed the most, what they found boring, who or what they disliked, and where they failed to grasp a situation.


Resource: Another superb tool in your arsenal against the insidious, pervasive threat of a missing comma, a dangling participle, or a baffling typo is Grammarly: https://www.grammarly.com/


The Crossroads: Write It Yourself or Hire a Ghostwriter?

The arduous but rewarding journey of writing a book is quite a task. It involves hundreds and thousands of hours working on a subject matter of choice. It requires special skills, a significant knowledge base, resilience, a great deal of effort, and strong emotional endurance.

Therefore, considering that each of these processes involves many different skills, what should you do? Hire a ghostwriter or not?


If you are a busy businessperson, an entrepreneur with significant and interesting fictional concepts in mind, or someone who finds deep satisfaction in reading books but has a very difficult time translating their imaginative ideas onto paper, then professional ghostwriting services is probably the most ideal solution for you.


If you hire a professional ghostwriter, then you can stay the credited "author" while they remain anonymous. A ghostwriter will be the most capable person to:

  • Help turn your fragmented ideas into a full, comprehensive, well-structured outline.

  • Match your voice, tone, and style effortlessly.

  • Develop any complicated plot point and character without you needing to learn the intricacies of crafting long fiction.

  • Deliver a "ready for publishing" novel within a discussed deadline, leaving you as the author with all the credit.


Bring your story to life today

You've passed the first stage of taking the first step into writing a novel, having already secured the fundamental frameworks and foundations. You have been given all the tips and tools required to take an initial concept right up to developing a story structure from scratch.


Now, it's time to make it happen. You've already committed enough time, energy, and thought to starting it; therefore, the time to sit down and do the drafting part—whether by typing it out word for word on your keyboard following the guidelines above, or entrusting it to the capable and professional hands of a ghostwriter—is now. Your perspective on the world is truly unique. It is something only you can portray within a story; therefore, share it with us all! Don't waste one more year waiting for your perfect novel to remain only a thought!


FAQs

1. How do I form a story idea into a novel?

First of all, flesh out your idea, develop and design your characters and setting, plan your plot, write the first draft, and thoroughly edit your manuscript.


2. Do I need to outline a novel before writing?

Depending on the person, outlining could be a helpful tool to have when writing a novel. It is not compulsory, as some writers like to write freely, but an outlined scene or chapter keeps one’s ideas together in a coherent start, middle, and end.


3. When should I hire a ghostwriter to write my novel?

Hiring a ghostwriter can be a good decision if one has a story concept but not the time or expertise to execute it properly. A competent ghostwriter possesses the skill, talents, and creative thinking to help one realize their idea in the form of a finished product in fiction.


Ready to bring your idea to life? Visit Rolling Authors or WhatsApp us now to chat with an expert fiction ghostwriter and get the benefits of a free consultation for your story project today!





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